It might be a good idea to step back (following on the previous post) and make a
distinction between the scholarly edition and the critical edition. We might define the former as any
instantiation of a text that is produced according to some scholarly principles
for use by scholars. Thus for some scholarly uses, the establishment of a text
and analysis of its history and variant states might be of foremost importance,
as is the case for many literary texts designed for use by professional
scholars. For other scholarly purposes, the contextual information and
commentary around the text (the introductions and the annotations, for example)
might be the most important work of the edition. This might be true for texts designed for
student scholars, or for use in disciplines other than literary studies. Even in literary studies, the textual work of
an edition is more important for some works and some historical periods than
others.
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A student edition of Terence, designed to enable the student to make inter-linear translations (1521) Fisher Rare Book Library B-10 5336 |
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A scholarly edition of Terence with an emphasis on commentary (1544) Fisher Rare Book Library hutt 00012 |
In his emphasis on the textual work of the scholarly
edition (as opposed to the contextualizing work) Shillingsburg arguable blurs
the line between the scholarly edition in general and the critical edition in
particular. A critical edition focuses
more fully on the text. D. C. Greetham defines a scholar edition as an edition
that attempts to establish a text through the exercise of editorial judgment
and/or choice, as opposed to merely reproducing a text already in existence
(347). It should contain “an apparatus
that presents the evidence used in the text’s construction and that lists the
variants of the authoritative states... ”; and “since critical editions are
eclectic [i.e., in the sense of requiring choice among variant alternatives],”
their preparers “must have some principle of eclecticism, some basis on which
to judge the authority of the variant readings and states of the text and on
which to make emendations” (Williams and Abbott, 57).
Works Cited
Greetham, D. C. Textual Scholarship. New York: Garland,
1994.
Terence. Comoediae. Paris, 1521.
--------. Comoediae. Venice, 1544.
Terence. Comoediae. Paris, 1521.
--------. Comoediae. Venice, 1544.
Williams, Bill and Craig Abbott. An Introduction to
Bibliography and Textual Studies. 2d ed. New York: MLA, 1989.
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